Moog CP-251 Spezifikationen PDF herunterladen (Seite 20)

b) Output of your instrument to MF101 AUDIO IN,

c) MF102 AUDIO OUT to input of your monitor amp,

d) Expression Pedal to CP251 LFO PEDAL IN jack,

e) CP251 LFO Square Wave out jack to LAG IN jack,

f) CP251 LAG OUT jack to ATTENUATOR IN jack,

g) ATTENUATOR OUT jack to MF101 CUTOFF jack.

• Set knobs as follows:

a) CP251: LFO RATE low (about 9 o’clock); LAG RISE “4”; LAG FALL “7”, ATTENUATOR “4”,

b) MF101: AMOUNT “ 0” ; MIX “ 10” ; CUTOFF mid-position; RESONANCE “ 7”

c) MF102: AMOUNT “0”, MIX “5”; FREQUENCY switch “HI”; FREQUENCY “2 kHz” (about 3

o’clock” ).

Play a bass note. You will hear a voice-like timbre. Changing the CP251 LFO RATE

and/or the expression pedal setting changes the speed at which the voice says “ yeow” .

Experiment with the settings of the LAG RISE and FALL, the MF101 CUTOFF and

RESONANCE, and the MF102 FREQUENCY and MIX knobs.

Dual LFO Modulation

This setup uses your CP251 and an MF102 to illustrate how two LFO waveforms can be

combined to form a dual LFO modulation waveform. One of the LFO waveforms

comes from the CP251’s LFO module, while the other LFO wavefrom comes from the

MF102’s LFO OUT jack. Initially, we’ll listen to the MF102’s CARRIER OUT signal to hear the

modulation.

• Connect the following patch cords:

a) CP251 LFO Triangular Output jack to MIXER IN 2 jack,

b) MF102 LFO OUT jack to CP251 MIXER IN 1 jack,

c) MIXER “ +” OUT jack to MF102 FREQ jack,

d) MF102 CARRIER OUT jack to input of monitor amplifier.

• Set knobs as follows:

a) CP251: All MIXER knobs to midposition; LFO RATE to 11 o’clock,

b) MF102: LFO RATE to “ 0.1” ; AMOUNT to “ 0” ; FREQUENCY to 11 o’clock.

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Moog CP-251 Spezifikationen Seite 20